Punk's (not) Dead.

A colleague recently bemoaned the lack of flair demonstrated by today’s youth.
We were looking out of the office window watching a group of lads sauntering past four floors below.
“Look at them, they think they’re it but they’re all in uniform” he said, preparing a mental inventory, “baseball caps, white trainers, track suit trousers, jackets printed with graffiti tags, pasty faces, nothing to do, nowhere to go, scrawling crap on the walls that nobody wants to read, it’s like dogs marking their territory, where’s the individuality? They all look the same.”
I didn’t want to ruin the moment by pointing out that here we were both wearing identikit suits, both working in an office that could be like any other office anywhere, both paid to scribe stuff that no one wants to read, obsessed about getting our bylines on pages like dogs marking their territories.
Where, indeed, is the individuality?
“When I was a kid I was a punk” he announced, in the same slightly unconvincing way people who ache to be hip claim to have once been a member of the Dug Out, the influential Bristol nite-spot with room for 300 and an apparent membership of 64 million.
“Really?” I’m impressed, “a punk? How old are you?”
“41”
“So, you were an 11 year old punk?”
“Yeah” sheepish grin “alright. Truth be told I always rather preferred Leo Sayer. But I had the spirit of punk later on, I wanted to be different, not like them” he points out of the window, to a crisp packet blowing along an otherwise empty street and turns to find I’ve gone back to my desk to assert my individuality by quietly panicking about .
It’s thirty years since punk first exploded, like a big sneeze, snottily into the living rooms and onto the suburban street corners of middle England.
Many will assert that it started in London, or even New York, they’ll cite Malcolm Mclaren, his shop Let It Rock. How he was Fagin to a legion of surly, disaffected youths whom he taught to pick the pockets of rock and roll and joyously fleece the music industry and the record buyers alike.
This is true. But not, I think, the full story. Because everywhere else Punk was something that just happened. It was an umbrella term for a scene that was as different in Manchester as it was in Glasgow, Bristol as it was in Wootten-under-Edge.
I don’t remember exactly when it happened, but my eldest sister was an early convert.
One minute it was that blisteringly hot summer of 1976, I was seven with an unruly mop of ginger hair (like McLaren) and with my granny, who we lived with, looking forward to the next year’s silver jubilee celebrations (like McLaren, just not in the same way).
She was tall and pretty in garish Bri-nylon, who when she wasn’t reading was dreaming of the drummer of Flintlock.
The next minute it seemed to have been raining for a month and a lot of boys, one of them, Adam, with pink hair, were pogo-ing around her bedroom declaring that there was “no future” and looked at me as if they’d just stepped in me.
Bri-nylon was dispatched for mo-hair and spray on tartan trews. Flintlock - over whose bubblegum pop stylings a big sister and gawky little brother had just weeks earlier bonded - were fired and upgraded to the more devastating sonic firepower of the Sex Pistols. Everything was different.
When my sister was out, probably hanging on a corner terrorising first world war veterans with her ripped stockings, I’d be in her room hogging the record player.
While I quickly gained a working knowledge, even a liking, for Wire, X-Ray Spex, The Clash and, of course, The ‘Pistols, as their 45s piled up on top of Flintlock, Leo Sayer and Middle Of The Road (Chirpy Chirpy Cheep Cheep - still a classic) I didn’t really ‘get’ them. I hit a wall of Edwardian silence when I asked my Granny what an Orgasm Addict was. I found out the answer for myself when I hit puberty. That’s another post.
I still have the record. It’s got my sisters name on it, written with big looped joined up letters that only adolescent girls can do. The full stop is replaced with a love heart. Hardly the signature of a threat to society as we knew it.
In general, I found punk then to be utterly confusing. Which was, I realise now, sort of the point of a movement that set so much store in pointlessness. To be a punk was to not be like you. That was enough.
But all that self-righteous, humourless indignation at the world was also highly amusing for a seven year old. And, it turned out, his step dad.
Once a punk ‘face’ came to our house. He sported a full Mohican, with spikes of hair rumoured to have been dipped in Super-Glue, a studded leather jacket, bondage trousers and a chain that linked his left nostril to his right ear lobe.
When he walked down the path there was a race between my sister and my step dad to answer the door. To her horror, she was last and could only bear agonising witness to the following exchange. My old man gave the punk icon the once over. He pointed to his facial decoration. “If I pull that, will you flush?”.
Reactionary git, they would have thought. But two decades earlier he was sharpening his button down collars in readiness for weekends at the legendary Eel Pie Island and The Crawdaddy club, a sweaty South West London hole and both the Capital’s equivalents/challenges to the Cavern, that outraged with their habit of booking the hairiest, loudest and lewdest r&b acts of the early 60’s, the Yardbirds, The Who, The Pretty Things, The Birds (not to be confused with those dyslexic hippies from the States), and The ‘Stones.
What goes around, etc.
Those lads at the top of the post don’t represent a failure on punk‘s part to make us all individuals. Teenagers today are not any less relevant or rebellious or even revolutionary. They might look the same but in their heads they’re just not us. And that’s enough.